This post is the first in a series highlighting our recently-elected section leadership.

Benn Joseph is the Head of Archival Processing at Northwestern University Libraries. The Archival Processing unit provides centralized archival description and collection management services for each of the Libraries’ Distinctive Collections, which include University Archives, the McCormick Library of Special Collections, Herskovits Library of African Studies, and the Transportation and Music Libraries. Previously, he worked as Head of University Archives & Special Collections at Illinois Institute of Technology, and in positions at Chicago History Museum and Benedictine University.
Why or how did you find your way to becoming an archivist?
This was after taking an intro to archives course in the MLS program at University of North Carolina – Chapel Hill. Some of our assignments involved actually going to the Southern Historical Collection and using the materials there. I was hooked! It was way more interesting to me than what we were doing in cataloging, collection development, etc. I ended up with an internship at the Southern Folklife Collection, and a part-time job digitizing slides at the Duke University Medical Center Archives — upon finishing the program it just made sense to keep going!
Can you share a success you have had in your repository of late?
Earlier this year we hired a Digital Archivist, who is based in the Archival Processing unit. This took a number of years to accomplish, and was such a dire need for us that we’re hoping not to overwhelm Kelsey with things to do! Prior to her arrival, we had been required to take more of a DIY approach to born-digital materials in collections, and although that isn’t necessarily a bad thing, we’re very happy to have been able to really formalize this aspect of our work over the past year.
What project are you most excited about in your archives?
Recently the Archival Processing unit was tasked with centralizing the archival accessions function for all of Distinctive Collections (5 separate collecting units, including the Northwestern University Archives and the Charles Deering McCormick Library of Special Collections), something that has up until now been done in myriad ways over the course of many years. It might not sound that exiting, but good recordkeeping is its own reward!
What are some of the challenges you face as Head of Archival Processing?
Most challenges I perceive are connected in some way with the creation of this new unit, Archival Processing, and our efforts to define our unit’s role in the department where none existed before. To me it’s all about the streamlining and formalizing arrangement and description, but what does that mean exactly?
For one, I think striking a balance between volume and detail in processing is one of our more common challenges. Also, keeping on top of what we’re doing between each of the five repositories. We know well the wonders of MPLP, but the curators who bring in collections might not always share our enthusiasm with it in practice. Plus, even though we in Archival Processing work to determine a collection’s research value through the process of archival appraisal while we process, our appraisal and that of the donor and curator might not always match up. Sometimes the resulting recommendation winds up being item-level description for an acquisition that may only need a collection-level record.
And what about public services? In a department called Archival Processing you can imagine there may not be many opportunities to work with researchers, teach a class, etc. But, after spending months processing a collection, it is the processing archivist that is now the expert in this area … How can we bring this expertise to bear in a way that makes sense and is a good use of everyone’s time?
Lastly, the process of prioritization. For instance, as collections are ranked in priority for descriptive work, we usually assign higher priority to those in need of digitization, or ones that will be used for a class. Sometimes there are circumstances involving donors that require us to work quickly. As we do this, we also want to make sure we’re prioritizing, appraising, and describing in a way that ensures diverse voices are heard. And it’s a balancing act — we don’t want any jobs to seem rushed.
What strategies are you using to manage and process digital records in your repository?
With the Archival Processing unit having taken on the management of born-digital collections materials that come into Distinctive Collections, we’re trying to approach things as being format-agnostic. It’s all here to be used, regardless of format! Still, there’s a very different looking workflow that born-digital materials get shuttled through before being made available via the finding aid (or otherwise), and keeping track of all that really keeps us on our toes. The first phase involves migrating data for preservation and forensically analyzing it to prepare it for processing. We use a dedicated digital archives workstation that we call “Fred” (even though it’s not actually a FRED) to acquire, quarantine, ingest, and bag born-digital collection materials into the Fedora repository used by the library. Once these activities are complete, it can enter a more traditional queue for processing, where the processor analyzes the content itself, its metadata, and makes determinations about how to describe and arrange the material. All files that can be are copied and converted to open formats for access and further determinations are made about accessing proprietary formats that cannot be converted easily on a case-by-case basis.
What projects do you envision the section undertaking under your leadership?
I don’t have any particular agenda — for now, just continue with the work on this year’s initiative led by section chair Ellen Engseth. The steering group has done some brainstorming as to what might be a good project to undertake, and as the group works to expand on those ideas I think some ideas will take shape and carry over to the next year — these are topics like student workers in the archives (led by immediate past chair Rebecca Goldman), accessibility, documenting tragedies, and others. And of course I’m very interested to hear from anyone who wants to explore new ideas!